{"id":15,"date":"2011-02-02T07:25:24","date_gmt":"2011-02-01T23:25:24","guid":{"rendered":"http:\/\/garethinc.com\/?page_id=15"},"modified":"2015-05-12T08:21:38","modified_gmt":"2015-05-12T00:21:38","slug":"bibliography","status":"publish","type":"page","link":"http:\/\/garethinc.com\/?page_id=15","title":{"rendered":"Bibliography"},"content":{"rendered":"<ol>\n<li>Loy, Gareth, \u201cMusic, Expectation, and Information Theory\u201d, <em>Proceedings of the ICMM<\/em> (International Conference on the Mathematics of Music), Puerto Vallarta, 2015.<\/li>\n<li>Loy, Gareth, \u201cLife and Times of the Samson Box\u201d, <em>Computer Music Journal<\/em>, Fall 2013, 37(3), Pages 26-48.<\/li>\n<li>Loy, Gareth, \u201cThe Systems Concepts Digital Synthesizer: An Architectural Retrospective\u201d, <em>Computer Music Journal<\/em>, Fall 2013, 37(3), Pages 49\u201367.<\/li>\n<li>Loy, Gareth, \u201cMars in 3D\u201d, <em>Computer Music Journal<\/em>, Fall 2013, 37(3), Pages 101\u2013103.<\/li>\n<li>Loy, Gareth, <a href=\"http:\/\/mitpress.mit.edu\/catalog\/item\/default.asp?ttype=2&amp;tid=11102\"><em>Musimathics \u2014 The Mathematical Foundations of Music<\/em>, Vol. 2<\/a>, Cambridge: MIT Press. 2007. Reprinted with corrections 2013.<\/li>\n<li>Loy, Gareth, <a href=\"http:\/\/mitpress.mit.edu\/catalog\/item\/default.asp?ttype=2&amp;tid=10916\"><em>Musimathics \u2014 The Mathematical Foundations of Music<\/em>, Vol. 1<\/a>, Cambridge: MIT Press. 2006. Reprinted with corrections 2011.<\/li>\n<li>Loy, Gareth and John Snell, \u201c<a href=\"http:\/\/www.computermusicjournal.org\/reviews\/34-3\/loy-pope.html\">Stephen Travis Pope: Ritual and Memory<\/a>\u201d, <em>Computer Music Journal<\/em> 34(3), Fall 2010. Record review.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3681769\">The CARL System: Premises, History, and Fate<\/a>,\u201d <em>Computer Music Journal<\/em> 26(4), Winter 2002.<\/li>\n<li>Eric Lyon, Max Mathews, James McCartney, David Zicarelli, Barry Vercoe, Gareth Loy and Miller Puckette, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3681766\">Dartmouth Symposium on the Future of Computer Music Software: A Panel Discussion<\/a>\u201d, <em>Computer Music Journal<\/em>, 26(4), Winter, 2002.<\/li>\n<li>Loy, Gareth, \u201cThe Frox Digital Audio System,\u201d <em>Proceedings of the International Computer Music Conference<\/em> (San Jose), San Francisco: International Computer Music Association, 1992.<\/li>\n<li>Todd, P. and Loy, Gareth, eds., <a href=\"http:\/\/mitpress.mit.edu\/catalog\/item\/default.asp?ttype=2&amp;tid=3956\"><em>Music and Connectionism<\/em><\/a>, Cambridge: MIT Press, 1991.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/books.google.com\/books?hl=en&amp;lr=&amp;id=NxycaQH6PeoC&amp;oi=fnd&amp;pg=PA20&amp;dq=Music+and+Connectionism&amp;ots=AvRiwEEzCz&amp;sig=bM9YhtD0INSLqqucM7uPEy9BB5Q#v=onepage&amp;q&amp;f=false\">Connectionism and Musiconomy<\/a>\u201d, <em>Music and Connectionism<\/em>, P. Todd and G. Loy, eds., Cambridge: MIT Press, 1991.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/portal.acm.org\/citation.cfm?id=77682\">Composing with computers \u2014 a survey of some compositional formalisms and programming languages for music<\/a>,\u201d <em>Current Directions in Computer Music<\/em>, Max Mathews, John Pierce, eds., Cam\u00adbridge: MIT Press, 1990.<\/li>\n<li>Loy, Gareth, \u201cSecond Special Issue on Parallel Distributed Processing and Neural Networks\u201d, <em>Computer Music Journal<\/em>, 13(4), Winter 1989.<\/li>\n<li>Loy, Gareth, \u201cSpecial Issue on Parallel Distributed Processing and Neural Networks\u201d, <em>Computer Music Journal<\/em>, 13(3), Fall 1989.<\/li>\n<li>Loy, Gareth, \u201cOn the scheduling of parallel processors executing synchronously,\u201d <em>Proceedings of the Interna\u00adtional Computer Music Conference<\/em>, San Francisco: International Computer Music Association, 1987.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3680167\">Whither MIDI<\/a>,\u201d <em>Computer Music Journal<\/em>, 11(1): 9-12, 1987.<\/li>\n<li>Loy, Gareth, \u201cDesigning a computer music workstation from musical imperatives,\u201d <em>Proceedings of the Interna\u00adtional Computer Music Conference<\/em>, San Francisco: International Computer Music Association, 1986.<\/li>\n<li>Loy, Gareth, \u201cPlayer \u2014 Tutorial Introduction,\u201d Technical Memorandum, UCSD: Center for Music Experiment, 1986.<\/li>\n<li>Loy, Gareth, \u201cPlayer \u2014 an experimental music composition language with real-time capabilities\u201d Proceedings of the International Computer Music Conference (Rochester), Computer Music Association, San Francisco, 1983.<\/li>\n<li>Loy, Gareth and Abbott, Curtis, \u201c<a href=\"http:\/\/portal.acm.org\/citation.cfm?id=4485\">Programming languages for computer music synthesis, performance, and composition<\/a>,\u201d <em>ACM Computing Surveys<\/em>, 17(2), June, 1985. Also published in Japanese by the <em>ACM Computing Surveys<\/em> in <em>Bit<\/em>.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3679656\">About AUDIUM: an interview with Stanley Shaff<\/a>,\u201d <em>Computer Music Journal<\/em>, 9(2): 41\u201348, 1985. Interview.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3679619\">Musicians make a standard: the MIDI phenomenon<\/a>,\u201d <em>Computer Music Journal<\/em>, 9(4): 8\u201326, 1985.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3679578\">Curtis Roads and John Strawn, editors: Foundations of computer music<\/a>,\u201d <em>Computer Music Jour\u00adnal<\/em>, 9(3): 80\u201381, 1985. Book review.<\/li>\n<li>Loy, Gareth, \u201cDesigning an operating environment for a real-time performance processing system,\u201d <em>Proceed\u00adings of the International Computer Music Conference<\/em> (Vancouver), San Francisco: International Com\u00adputer Music Association, 1985.<\/li>\n<li>Loy, Gareth, \u201cMIDI: a critical overview,\u201d Acoustical Society of America, Invited paper for Musical Acoustics III: Real-Time Music Synthesizers, Abst.: <em>JASA<\/em> 77(1): S74, 1985.<\/li>\n<li>Loy, Gareth, \u201cComputer music research using SUN workstations at the Computer Audio Research Labora\u00adtory,\u201d SUN Users Group Los Angeles, SUN Users Group, Palo Alto, CA, 1985.<\/li>\n<li>Loy, Gareth, \u201cPlayer \u2014 extensions to the C programming language for parallel processing run-time music syn\u00adthesis control,\u201d Proceedings, MIDISOFT, San Francisco, 1984.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3679536\">Allen Strange: Electronic music \u2014 systems, techniques, and controls, 2nd edition<\/a>,\u201d <em>Computer Music Journal<\/em>, 7(4): 60\u201361, 1983. Book review.<\/li>\n<li>Loy, Gareth, \u201cApplications of digital signal processing in computer music,\u201d Acoustical Society of America, Invited paper, Special Plenary Session: \u201cApplications of Signal Processing in Acoustics\u201d, Abst., <em>JASA<\/em>, 74(1): S36, 1983.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/832590\">The composer seduced into programming<\/a>,\u201d <em>Perspectives of New Music<\/em>, 19(1): 184\u2013198, 1982.<\/li>\n<li>Loy, Gareth, \u201cA sound file system for UNIX,\u201d <em>Proceedings of the International Computer Music Conference<\/em> (Venice, Italy), San Francisco: International Computer Music Association, 1982.<\/li>\n<li>Loy, Gareth, \u201cSystem design for computer music at the Computer Audio Research Laboratory, UCSD,\u201d IEEE 1982 Region VI Conference, Invited paper for the session on Computer Systems and Applications, San Diego, 1982.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3679693\">Notes on the implementation of MUSBOX, a compiler for the Systems Concepts Digital Synthe\u00adsizer<\/a>,\u201d <em>Computer Music Journal<\/em>, 5(1): 13\u201333, 1981.<\/li>\n<li>Loy, Gareth, <a href=\"http:\/\/searchworks.stanford.edu\/view\/2953431\"><em>Nekyia<\/em><\/a>, Ann Arbor, Michigan: University Microfilms, 1980. Stanford University Department of Music DMA thesis.<\/li>\n<li>Loy, Gareth, \u201cSystems Concepts Digital Synthesizer operations manual and tutorial,\u201d Stanford University Report STAN-M-6, Stanford University: Department of Music, 1980.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3680139\">Sonic landscapes, electronic and computer music by Barry Truax, and Studies for trumpet and computer by Dexter Morrill<\/a>,\u201d <em>Computer Music Journal<\/em>, 2(1): 60\u201361, 1978. Record review.<\/li>\n<li>Loy, Gareth, \u201c<a href=\"http:\/\/www.jstor.org\/stable\/3680366\">New directions in music \u2014 Significant contemporary works for the computer<\/a>,\u201d <em>Computer Music Journal<\/em>, 2(4): 6\u20138, 1978. Record review.<\/li>\n<li>Loy, Gareth, \u201cThe Dartmouth digital synthesizer, electronic music by Jon Appleton, Lars-Gunnar Bodin, Rus\u00adsell Pinkston &amp; William Brunson,\u201d <em>Computer Music Journal<\/em>, 1(2): 61, 1977. <a href=\"http:\/\/www.jstor.org\/pss\/3680287\">Table of Contents<\/a>.<\/li>\n<li>Loy, Gareth, \u201cStudio report, CCRMA, Stanford University,\u201d <em>Proceedings of the International Computer Music Conference<\/em> (UCSD), San Francisco: International Computer Music Association, 1977.<\/li>\n<li>Loy, Gareth, \u201cThe all-digital recording studio at Stanford University,\u201d <em>Proceedings of the International Com\u00adputer Music Conference<\/em> (MIT), San Francisco: International Computer Music Association, 1976.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Loy, Gareth, \u201cMusic, Expectation, and Information Theory\u201d, Proceedings of the ICMM (International Conference on the Mathematics of Music), Puerto Vallarta, 2015. Loy, Gareth, \u201cLife and Times of the Samson Box\u201d, Computer Music Journal, Fall 2013, 37(3), Pages 26-48. Loy, Gareth, &hellip; <a href=\"http:\/\/garethinc.com\/?page_id=15\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/garethinc.com\/index.php?rest_route=\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/garethinc.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/garethinc.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/garethinc.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/garethinc.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15"}],"version-history":[{"count":4,"href":"http:\/\/garethinc.com\/index.php?rest_route=\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":137,"href":"http:\/\/garethinc.com\/index.php?rest_route=\/wp\/v2\/pages\/15\/revisions\/137"}],"wp:attachment":[{"href":"http:\/\/garethinc.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}